musica da camera - определение. Что такое musica da camera
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Что (кто) такое musica da camera - определение

FORM OF CLASSICAL MUSIC COMPOSED FOR A SMALL GROUP OF INSTRUMENTS
Chamber orchestra; Chamber Orchestra; Chamber Music; Musica da camera; Musique de chambre; Chamber-music; Chamber ensembles; Chamber musician; Chamber ensemble; Chamber works; Baroque chamber music; Chamber group; Kammermusik; Chamber piece; History of chamber music
  • [[Frederick the Great]] plays flute in his summer palace [[Sanssouci]], with [[Franz Benda]] playing violin, [[Carl Philipp Emanuel Bach]] accompanying on keyboard, and unidentified string players; painting by [[Adolph Menzel]] (1850–52)
  • Violinist [[Joseph Joachim]] and pianist Clara Schumann. Joachim and Schumann debuted many of the chamber works of Robert Schumann, Johannes Brahms and others.
  • Amateurs play a string sextet
  • [[Plato]], [[Aristotle]], [[Hippocrates]] and [[Galen]] play a quartet on viols in this fanciful woodcut from 1516.
  • A graphic interpretation of the [[Burletta]] movement of [[Bartók]]'s String Quartet No. 6, by artist Joel Epstein
  • [[Béla Bartók]] recording folksongs of Czech peasants, 1908
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  • "Ghost" Trio, Op. 70, No. 1]], by Beethoven
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  • The Joachim Quartet, led by violinist [[Joseph Joachim]]. The quartet debuted many of the works of Johannes Brahms.
  • Copy of a pianoforte from 1805
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  • Chamber musicians going at each other, from "The Short-tempered Clavichord" by illustrator [http://bonotto.robert.googlepages.com/ Robert Bonotto]
  • Home music-making in the 19th century; painting by Jules-Alexandre Grün.
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  • Painting of Pierrot, the object of Schoenberg's atonal suite ''[[Pierrot Lunaire]]'', painted by [[Antoine Watteau]]
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  • Kneisel String Quartet]], led by Franz Kneisel. This American ensemble debuted Dvořák's American Quartet, Op. 96.
  • Impressionist]] music and art sought similar effects of the ethereal, atmospheric.
  • Vilemina Norman Neruda]] leading a string quartet, about 1880
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  • [[Leon Theremin]] performing a trio for voice, piano and theremin, 1924
  • [[Baroque music]]ians playing a trio sonata, 18th-century anonymous painting

New Orleans Musica da Camera         
EARLY MUSIC ENSEMBLE
New Orleans Musica Da Camera; New orleans musica da camera
The New Orleans Musica da Camera was founded in 1966, by Milton G. Scheuermann, Jr, and is the oldest surviving Early Music organisation in the United States.
Casa da Música station         
METRO STATION IN PORTO, PORTUGAL
Casa da Música (station)
Casa da Música is a station of the Porto Metro. The architect of the station is Eduardo Souto de Moura.
Museu Nacional da Música         
MUSEUM IN LISBON, LISBON DISTRICT, PORTUGAL
Museu da Musica; Museu da Música
The Museu da Música ("Museum of Music") is a museum in Lisbon, Portugal. The museum primarily features musical instruments; among its holdings is a 1725 Stradivarius cello once owned and played by King Luís I of Portugal (ruled 1861–1889.

Википедия

Chamber music

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances.

Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works.

Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing". This conversational paradigm – which refers to the way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions.